Pigments are the particles in paint revealing hue. Squinting helps the eyes' black and white receptors make value determinations. We easily understand value when we look at the range of Neutral Grays on the Neutral Gray Color Chart Try squinting while looking at colors to determine their value. Sometimes it is difficult to determine the value of middle toned colors like orange and green. Yellow is lighter in value, or closer to white, than dark blue. Value refers to a color's lightness or darkness as compared to white or black. For example, within the hue of yellow, a lemon has more chroma than a banana. It describes how brilliant or subdued the color looks. A cucumber and a lime are both hues of green.Ĭhroma is also known as a saturation or intensity. It describes the actual color of something. To describe color we need to understand three qualities: Hue, Chroma and Value. Zinc White ( #2) is an extremely transparent white for subtle tinting and glazing. Titanium White (#1) is an opaque white for mixing pastel tones. Yellow Ochre (#8), a natural earth color, helps "warm" the color mixtures and subdue the brightest colors. This green also helps create a diverse range of earthtones. Mixtures with Hansa Yellow Medium (#5) produce a great range of greens, particularly subtle yellow greens. Phthalo Green (Blue Shade) (#6) assists Phthalo Blue (Green Shade) (#7). Mixtures with Phthalo Blue (Green Shade) (#7) allow deep reds and maroons. Mixtures with Hansa Yellow Medium (#5) reveal a wider selection of intense reds and oranges. Naphthol Red Light (#4) helps balance the Quinacridone Magenta (#3).
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Our standard recommendation is Quinacridone Red, but we chose Quinacridone Magenta for mixing a broader range of violets and purples. The Selection of Colors for Mixing Titaniumįor this palette, the three mixing primaries are Hansa Yellow Medium, Quinacridone Magenta and Phthalo Blue (Green Shade).
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GOLDEN has created a palette of eight professional acrylic colors to provide you with the potential to mix the widest range of colors. While some give insight to the painter's working style, others offer a simple palette for mixing, but typically limit color possibilities. Throughout history, painters and authors have recommended various palettes of color.